Thursday, September 29, 2011

Retreat The Grey

It's been a while since I've posted about new trailers/films yet to be released.
This morning I had a sticky beak at two recently released trailers for two upcoming thrillers. "Retreat" which stars Cillian Murphy, Thandie Newton and Jamie Bell will be released in US cinemas in early October this year (I hope that there is a release here in Australia....). Jamie Bell is fast establishing himself as a versatile and promising actor. We all remember him from "Billy Elliot" some ten-eleven years ago - but since his foray into ballet he has appeared in some notable films such as "King Kong" and "Defiance". He played an important role in the Cary Fukunaga version of "Jane Eyre" and he is slated to appear in a string of films - "Retreat" to be one of them. As you will see from the trailer, he appears in a completely different kind of role - significantly darker, audiences will be able to see a different side of the actor. The film itself looks quite interesting and I'm excited for its release - whether it gets a cinema release here or a straight-to-DVD sell, I will be putting this on one of my must-see lists.



Liam Neeson - power house. An actor who churns out consistently good performances (despite some bad film choices) his latest performance in "The Grey" is set to be released early next year. It's about a group of plane-crash survivors that try to outrun a pack of man-eating wolves. Simple concept, but I like how the thriller element of this film will be coming from a source that is natural to our world. It's not going to be relying on ridiculously grandiose special effects and over-the-top camera angles to convey fear. I like thrillers that make villains out of nature - animals. This looks to be an Alaskan version of Val Kilmer's 1996 film about man-eating lions "The Ghost and the Darkness". This will be one to watch. 



Sunday, September 25, 2011

The Royal's...

Yuhui Choe



Yuhui Choe is a First Soloist in the Royal Ballet. She was born in Fukuoka, Japan. Silver medalist at the 2000 Paris International Dance Competition and 2002 Contemporary Dance as well as First Prize winner at the Prix de Lausanne, Yuhui joined the ranks of the Royal Ballet soon after.





What I love about Yuhui is how delicate she is. Her dancing is very elegant in that her technique is clean, careful and precise. Her stage presence is commanding in a way that you feel completely disarmed by her fragility - yet she can immediately surprise you with such attack in her allegro. You almost don't see it coming. You get completely caught up by how intricate her footwork is you are tricked into thinking that this girl would not be able to jump or execute a step with brute force - yet she can. This style is the Royal Ballet style and she fits in so effortlessly. 

A pleasure to watch, she will be gracing the stage in prominent roles to come.



Saturday, September 24, 2011

The Darling of Russian Ballet ~

Evgenia Obraztsova



Evgenia Obraztsova was born in St Petersburg, trained at the infamous Vaganova School that churns out like a factory reams and reams of svelte, talented and almost ethereal-like ballet dancers. Graduating in 2002, Obraztsova joined the Mariinsky Ballet and is now First Soloist. She is what I'd call a demure ballerina. Incredibly accurate in her technique, flawless with execution and displaying those fundaments of Russian Classical training she is a force to be reckoned with. But the reason why I love watching Obraztsova dance is the fact that she is the most "English" of all the Russians, figuratively speaking. Obraztsova displays a restraint and a certain sense of control that hints at the English style of ballet. There is no questioning this ballerina is 100% Russian however, she seems to be a lot more subtle in her dancing than her counterparts - I speak of Alina Somova whose dancing offends me (can you be offended by someone's dancing???), her hyper-extensiveness overused and not calculated becomes beyond showy and consequentially vulgar. Obraztsova is very careful and its that care (unlike Somova's almost uncontrollable faun-like appearance) that makes her so appealing to me.




Obraztsova is also an artist. Russian ballerinas have amazing stage faces and they can communicate just by using their eyes - it is incredible and truly exhilarating to watch, but with Obraztsova its the complete package. Her entire body communicates not just through the steps and movements, but her emotions reverberates from her fingers to her toes. She is thoroughly enjoyable to watch and as an audience member I feel a calm sense of relaxation when she dances. I'm not on the edge of my seat engulfed in nervous tension awaiting for her to land from a set of 32 fouettes (unlike Somova again, whom I get incredibly anxious whenever she starts spinning because more often than not I'm terrified she won't be able to control her gangly body and just spin right out of control). Feeling relaxed whilst watching a dancer perform is a gratifying experience. You get to enjoy the entire performance with ease. Obraztsova is able to do this.

An incredible dancer, with the ability to touch her audiences - she is one of my favourite Russian Ballerinas of today.





Tuesday, September 13, 2011

IN MY SUITCASE...

with Kelly Peacock   
Ballet Dancer ~Tasmanian Ballet Company



Tasmanian ballet dancer Kelly Peacock is about to embark on her first professional contract with the Tasmanian Ballet Company. Prior to the commencement of the 2011 Season we caught up with the budding ballerina to check out what she'll be packing in her suitcase at the end of this month!!

~~~


5 things in my suitcase...

  1. iPod (music works wonders to kick start my day, put me in a better mood or to warm-up)
  2. Dencorub & Voltaren (pills) - my saviour when my body decides it's hating ballet haha!
  3. Warm-up jump suit!
  4. Pointe Shoes (obviously)
  5. A good spirit and a positive attitude!

What is it that you are most looking forward to?

What I am most excited about is that I get to perform my first professional ballet performance in my home state. It will be so nice to come back to my home town so they can see how far I have come.


What do you think will be the most exciting aspect of performing with the Tasmanian Ballet?

I am really looking forward to experiencing company life and meeting all of the dancers. It is also a really nice feeling to know I have been selected to represent Tasmania in their Ballet Company. The season is five weeks and rehearsals are for the first three weeks, then we take to the road and are on tour for two weeks.


Is there anything special you have had to do to prepare prior to the commencement of the Season?

Well if my obsessive compulsive attributes count, I have begun preparing "lists" of things I need to pack and buy for my time in Tasmania. I don't leave for another week and a half!! I love nothing more to be organized and to feel prepared.

Other than that, I am still attending daily classes in Melbourne with Leeanne Rutherford at Ballet Theatre Australia (which we are also beginning rehearsal preparations for our end of year performance) and I'm continuously working on keeping my technique at its best as while I am away I will be solely responsible for keeping my technique up to scratch - so I am preparing myself for that!



 

Tasmanian Ballet Company 2011 Season - See here!

Sunday, September 11, 2011

Charlotte Bronte's "Jane Eyre"




I read Charlotte Bronte's "Jane Eyre". It took but a week for me to devour the entire three-volume book. I have a penchant for devouring huge books when the story consumes me. Of course, I was only prompted to read the book after having seen Cary Fukunaga's adaptation onscreen. Admittedly feeling rather guilty of ignorance I should have read Charlotte's story prior to seeing the film - but as per usual, blame it on eagerness if you will and also impatience I launched myself off to the cinema first! Nevertheless, I can now safely say I have read the original story of its entirety and appreciated every word, every sentence, every chapter - everything.

The book of course it goes without saying surpasses the film in quality. Where else does the film's inspiration and origin derive but through Charlotte's intricately woven tale of romance and mystery. It was truly a remarkable book. There were a lot of scenes that were omitted from Fukunaga's screen adaptation, but I believe it would have been due mostly to fierce editing (various deleted scenes have found themselves on YouTube to which match various poignant parts of the story)

What entranced me most was the way Charlotte constructed her sentences and placed her ideas on the page. No one writes like this any more. It's very interesting to see how in books and various literature, the English language has evolved. Stories that were written in the 16th, 17th, 18th centuries all have their own significant stamp. You can read a story that was written in 1847 for example and be able to pinpoint that era in time through the use of language. It is not wildly departed from how we speak today, however it is a great deal more formal and in some ways, more descriptive.

For example, Charlotte  captures that deep sense of longing and anxiety that manifests itself in a strange sense of foreboding when Jane Eyre waits eagerly for Mr. Rochester to return from his business at his other estates:

"A puerile tear dimmed my eye while I looked - a tear of disappointment and impatience; ashamed of it, I wiped it away. I lingered; the moon shut herself wholly within her chamber, and drew close her curtain of dense cloud: the night grew dark; rain came driving fast on the gale."

" 'I wish he would come! I wish he would come!'I exclaimed, seized with hypochondriac foreboding."

Page 364, Chapter 10, Vol II
"Jane Eyre" ~Charlotte Bronte

Charlotte is a word-smith and her book is filled with beautiful paragraphs that describe human emotions through multiple layers. You get a real sense of the character of Jane and you understand why she behaves the way she does, or what motivates her to act in certain ways.

Another aspect the book delves more deeply into is the character of Rochester. He is quite complex and has very many layers. Fukunaga with the brilliant casting of Michael Fassbender achieved this on film - however, through the novel you are able to capture more the man himself and better understand why he is so tormented. 

Charlotte Bronte
The ending to Charlotte Bronte's Jane Eyre is a happy one - but unlike the Fukunaga's film that finishes so abruptly, you gain a sense of what happens in the future and you get a summary of how each poignant character's life unfolds after the tale has ended. The reunion between Jane and Rochester is more touching and is far deeply moving than that of the film - although, Fassbender and Wasikowska were quite stunning together at the end that it did move me to tears. It would have been nice if Fukunaga was able to adapt the original conclusion of the story to his film - although it would have admittedly been a far more drawn out affair. At least you would have been able to experience Rochester's deep longing for Jane at a far more emotional level. 

"'I am no better than the old lightning-struck chestnut-tree in Thornfield orchard,'he remarked ere long. 'And what right would that ruin have to bid a budding woodbine cover its decay with freshness?'
'You are no ruin, sir - no lightning-struck tree: you are green and vigorous. Plants will grow about your roots, whether you ask them or not, because they take delight in your bountiful shadow; and as they grow they will lean towards you, and wind round you, because your strength offers them so safe a prop.'"

Page 581, Chapter  11, Volume III
"Jane Eyre" ~ Charlotte Bronte


If you have not already, I urge you to read this incredible tale. The themes carry on as if they were relevant today. Charlotte does not write like a "lady" rather, it is quite a confronting story with parts at the beginning so vivid and real that it makes you wonder if not in fact she writes an autobiography as opposed to something of fiction. In 1847 it was probably not kosher for ladies to write of such confronting things - nevertheless write at all, Charlotte had submitted her manuscript under the pseudonym of Currer Bell. This novel having been dedicated to William Makepeace Thakery, to which I believe held a great deal of influence on her style of writing - if you read his "Vanity Fair" the language and the themes and the very nature of the story and how events are depicted, so real and vivid, and without any "gloss", you can draw comparisons to the way in which Charlotte Bronte, too writes. They both have similar writing styles.

Indeed, recollections of Jane Eyre's experience in boarding school are derived from Charlotte Bronte's older sister's experiences at their respective schools - both having died of Tuberculosis due to poor hygiene and living conditions. Charlotte was too for a time a governess. I wonder if many happenings in the story did not indeed happen in real life - or are exaggerated and fantastical versions of events that may have happened if not directly to Charlotte but to any acquaintances. The idea and very notion that a governess and her Master fall in love and marry, in that time was quite fantastical. Society and wealth was still paramount when making the decision to marry. I think you could almost compare that type of social stigma to say for example, a President or Prime Minister of a Country falling for their personal assistant or live-in maid in the 21st Century. Although, today of course, society is a lot more accommodating than in the 1840's. Nevertheless, the story of "Jane Eyre" is very feminist in that its protagonist is free-thinking, opinionated and above all else, independent - she paves her own way and establishes herself without aid of a male counterpart. To which, really, Charlotte has made her protagonist equal to her male love-interest. Something I believe would have been not scandalous, but quite a different way of thinking back then. Females forever subordinate to Males, it would be unheard of for a woman to establish herself independently without the aid of a man. Had she submitted that manuscript as a woman she would not have been published - however as a man, such words and phrases constructed with vigour, strength and assertiveness was acceptable.

I could go on for days dissecting this novel and its author. However, for the sake of this blog I will conclude here. "Jane Eyre" should be on everyone's list of literature to read before they die. Having read this story it has sparked a keen interest in me to read more classic literature. So many people have come and gone before us, we ought to take pleasure and appreciate the things they have left behind - even if it is through reading words on a page that they constructed some hundred to two hundred years before, or longer...

Saturday, September 10, 2011

A very clever 100 seconds...

I never stop raving about how great YouTube is as a medium for sharing information.
It never ceases to be thoroughly entertaining meandering through the many many different videos online.
Many of you probably have already seen this very clever clip - but for those that haven't yet, enjoy!

It's a showcase of London fashion over the past 100 years...
... in 100 seconds!